Nanomorph anamorphic lens covers Super 35 sensors, weighing only <14 oz each. The constant 1.5x squeeze ratio retains anamorphic characteristics. Three flare options are provided: Amber/ Blue / Silver.
The close focusing distance of Nanomorph gives photographers more choices to capture close-up shots with much shallower depth of field.
Blue - to create scientific and cool vibe
Amber - to create warm and welcoming vibe, suitable for narrative shots.
Sliver - the color of the flare depends on the color the light source.
© Keaton Bowlby
© Rawspektiv
©ALEXLAY MEDIA
With a 1.5X squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after desqueeze. Comparing to the 1.33X anamorphic lens, Laowa Nanomorph delivers a much more pronounced anamorphic and cinematic look. Moreover, the constant squeeze ratio at all focusing distance is beneficial to avoid ananmorphic mumps.
Anamorphic Lens offers a more wider horizontal field of view and shallower depth of field than spherical lenses.
Nanomorph is one of the few tiny anamorphic widescreen lenses on the market, covering S35 sensor.
© Laik Knows - 65mm T2.4 1.5X (silver)
Nanomorph lens weighs less than 0.7 lbs (320g) and is only 3.54" (9cm) long. It can be mounted on various devices to shoot, such as gimbals, helmets, drones, etc., which was unaccessible before.
Mirrorless mounts: X/R/E/DL/L/Z/M43;
SLR mounts: PL (interchangeable EF bayonet).
A special case is included in the package.
The Nanomorph lens is affordable, lightweight, and versatile, allowing you to experience the fascinating world of anamorphic widescreen movie lenses. Now you can shoot Hollywood-level films and start a unique film journey.
© Kristoffer Davidson - 65mm T2.4 1.5X (silver)
© James Matthews - 80mm T2.4 1.5X (silver)
The anamorphic blocks are put behind the spherical elements and the focusing groups. These two groups compress the image, and hence the smaller anamorphic blocks can be used, which makes the lens tinier. Moreover, the image is formed and focused before the anamorphic blocks which maintains a constant squeeze ratio no matter if the focus changes.
Name | 27mm T2.8 / 35mm T2.4 / 50mm T2.4 / 60mm T2.9 Macro 1:2 / 65mm T2.4 / 80mm T2.4 |
Format | S35 |
Focal Length | 27mm / 35mm / 50mm / 60mm / 65mm / 80nn |
Aperture Range | T2.8-T16 / T2.4-T16 / T2.4-T16 / T2.9-T22 / T2.4-T16 / T2.4-T16 |
Horizontal FOV | 70.8° / 57.5° / 42° / 35.5° / 36.8° / 30.2° |
Vertical FOV | 33° / 25.8° / 18.2° / 15.2° / 15.8° / 12.8° |
Lens Structure | 15 Elements in 13 Groups/15 Elements in 13 Groups/15 Elements in 13 Groups/20 Elements in 14 Groups/15 Elements in 13 Groups/14 Elements in 13 Groups |
Aperture Blades | 13 |
Focus Throw | 270° |
Distance Scale | Metric & Imperial (Dual Scale) |
Aperture Throw | 70.7° / 56.9° / 59.4° 71.6° / 78.6° / 81° |
Sensor Coverage | 25.6*16mm / 25.6*16mm / 25.6*16mm / 25.6*16mm / 28.8*18mm / 28.8*18mm |
Squeeze Ratio | 1.5X |
Min. focusing Distance | 43cm / 60cm / 70cm / 24cm / 70cm / 70cm |
Focus Type | Manual (MF) |
Filter Thread | ø77mm (PL) |
Front Diameter | ø80mm (PL) |
Largest Diameter | ø84mm (PL) |
Dimensions | ø77mm (PL) |
Weight | ~ 490g / ~ 520g / ~ 550g / ~ 1070g / ~ 820g / ~ 830g (PL) |
Flare Color | Amber / Silver / Blue |
Mounts | PL/EF/RF/E/Z/DL/L/X/M43 (27/35/65/80mm);PL/EF/RF/E/Z/L(50/60mm) |